INTRODUCTION

This is the calm before the storm. Our destiny depends on our realizing we have a problem, and then going all out in solving it. Pay careful attention to the information in this book. Then tell your friends and family the truth. This truth has been hidden from us for a very long time. Recently so much information has come to light that the big picture has finally been revealed.
What has been happening is a continuing universal process that has effected life on Earth to varying degrees since the dawn of man. Periodically it has a major impact on humanity. The difference is that now we can recognize what is happening, and take action to change it.


As you read the facts, theories, and hypothetical illustrative situations in this book, you will realize the problem we face can be overcome. The solution requires a great effort on a vast scale to bring the human race to a state of great strength and readiness.


We keep hearing about aliens, alien abductions, UFOs, and cover-ups. When I looked into this situation, I found out the human race is in mortal danger, primarily because we have become aware of this problem from above. The danger arises from our having discovered how the aliens have been using us, and them knowing that we know, and knowing that we have a limited capacity to do something about it. Up till now, we did not have to be strong to survive in a closed system. Now that we are a threat, we have to get very strong to face down those that have been taking advantage of our weakness and ignorance. There are elements of the US government and military that know exactly what is coming, but they can not tell you because it is VERY BAD NEWS. It would devastate society.


Do Neil Armstrong and former President Jimmy Carter know what the aliens have planned for us? They have both spoken out, but have been silenced by extreme pressure from intelligence agencies before they could tell the whole story. This book states exactly what President Carter has revealed and what Neil Armstrong has said to warn the public. I will disclose the whole truth from current information and historical sources.


I hope the truth will incite humanity to take action for self-preservation.


This is real.

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FOREWORD


It is said you can’t tell a book by its cover. With this book you can. The title of the book is “Warning.” That is exactly what this book is. A warning. I am warning you of a coming disaster. The time for secrecy is over. I will reveal everything that’s going on here.


In this book, the abduction experiences of real people and actual examples of alien treachery will be recounted. I have also included in this book proven techniques for disabling and capturing small alien spacecraft. I have included that information in case it becomes necessary to start an anti-alien civil defense program. YOU need protection. Few countries are prepared. Even the US military is insufficiently prepared for what’s coming. I’ll be revealing what I believe the aliens plans to be, based on five types of evidence: eyewitness accounts, expert testimony, scientific evidence, archeological findings, current and historical circumstantial evidence.

 

Think of me as a prosecutor making a case against the aliens. You are the jury. It is critical that we understand the serious danger we face. Why do we have to stop the Gray and Reptoid aliens? Because it is not an invasion that is coming, it’s a harvest. Yeah, at first it sounded crazy to me too. Just wait until you read the whole truth. A few people here in the US have uncovered the same information that I have. Some of them are making a living, peddling snippets of information in books, seminars, and videotapes. Each new book or tape reveals a few more “new” facts to the information starved public. When I found out the whole truth, I was truly horrified that anyone would milk this situation for financial gain. Since our government has refused to talk, these people have cornered the information market.

 

I will not withhold any information from the public. I worked very hard to obtain the information and write this book. I’m telling everything I found out. I AM PAYING to publish this book. I am risking my life savings to save our lives. I believe it is THAT serious. The entire truth is very painful. This information can’t be covered up, or sold bit by bit. History is about to repeat itself in a really horrifying way. We must learn from history, or we will be history.
 

How do you warn humanity that a major disaster is coming? In 1775, Paul Revere rode his horse through the countryside to alert the Minutemen that the British were coming. Today, warnings can be spread through mass media: radio, TV, newspapers, books or movies. Which media is best? Would the news media take my word a problem is approaching? No. Besides, they only report what’s already happened. I need to reveal what’s going to happen. A book was the only avenue open to me. Several acquaintances that read the first draft of this book told me most people wouldn’t read a book that’s not written in the form of an exciting story. They said they want excitement, romance, and adventure in the books they read, not a history or documentary type books, and the same for a movie.

 

Moviegoers want an exciting story line, action, etc., even a happy ending. I want to reach everyone with this message. I’ve been in sales many years and I always listen to customers when they tell me what they want. The customer is always right. People buy millions of exciting novels every year. They know what they like. It’s the same with movies. An exciting movie gets it’s underlying message across better than a dry historical documentary. So, I’ve taken actual events, people, and evidence, and written the first part of this book in a semi-fictionalized format that will hold everyone’s interest, and lend itself to being made into a movie. My main objective is to warn the greatest number of people about the alien’s plans, so we can prepare for what’s coming, and prevent it.

 

The participation of women is equally important in solving the problem we face. Without the participation of women in the war effort in World War II, it would have lasted longer and cost many more lives. What we are facing will hit closer to home. Women will be in the front lines of this effort as a result. I want everyone to know the facts. Women need to know that this is not about guys and their science fiction interests. This is reality. There have been dozens of movies made, and books written dealing with the subjects of UFO sightings, alien visitation, alien abduction of humans, and ancient alien contact. Few of these books and movies dealing with “reality” have reached a large enough audience, or made the public realize there is a “problem.”

 

The best way to communicate the “problem” to the largest audience is through a book and a movie that dramatizes the problem, not a dry documentary. Dry documentary films end up on cable TV. If a movie is popular it will be shown on many movie screens all day long for weeks. The message reaches more people that way. Next it goes on HBO and Cinemax, then videotapes that are sold or rented nationwide. Then on broadcast TV. It will reach a wide audience. More people will be informed. We will have a better chance for building up sufficient defenses to meet the threat if the warning gets out now. If other countries built up their defenses, it would help raise our chance of survival.

 

The aliens have had dominion over us for more than 50,000 years of recorded history. What’s the reason for this continuing association? That’s what this book will reveal. I have studied the patterns of the alien’s historical and recent actions. I’ll fill in the blanks left by other books and movies, to reveal the big picture. The “movie” section of this book will give you a good grasp of what the aliens have been doing recently, and show what information is available to the average person from seminars, the Internet, etc. Plus this book will reveal proven military anti-UFO defense measures. The rest of the book contains historical and current facts about the subject from a variety of sources that are readily available for you to check out yourself. This book is based only on facts. The “movie version” is designed to reach the largest mass audience possible. As for a happy ending, that’s up to all of us.


I have endeavored to include enough technical information in this book to satisfy those people who want proof of a type that would normally only be found in scientific peer reviewed journals. The only problem with the subjects covered in Ufology is that any alien hardware that is permanently brought down to earth is quickly scooped up by military rapid response teams. As a result only government scientists and engineers ever get to scientifically examine alien technology, and they are not allowed to publish anything they find out. As a result, I have had to provide technical information about alien technology from the other side of the equation. The output side, where alien technology has already been back-engineered by government employed engineers. It’s then turned over to and copied by American industry, patented, and produced.


Detailed patent descriptions of functioning advanced equipment are as close as you can get to scientific articles about how the alien technology works. Besides if the equipment is already working, there is no need to test it in a lab and publish findings to prove that it works to someone who is skeptical. This advanced equipment is beyond theory, hypothesis and research and development. Seeing is believing.
 

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CHAPTER 1:

SPREADING THE TRUTH TO INCREASE INVOLVEMENT

My involvement with this subject started fairly recently. People and events kind of grabbed me. I learned rather quickly we had a serious problem facing us. I felt I had to write a book to warn people about the problem. This book deals with that ongoing problem, a problem that started many thousands of years before I was born. I wasn’t aware there was a problem until five years ago. Like Forrest Gump, I stumbled into situations where I became a participant in shaping historic events. I came into personal contact with people involved in doing UFO research, other people who had been abducted, and Apollo astronauts who had seen the massive construction work the aliens have done on the Moon.


I am just an average person. I had only a mild interest in the subject of UFOs and aliens. I became hooked on taking a hard look at the subject when I saw official NASA photographic evidence. The implications were devastating. Our government had discovered evidence of alien life and had kept it secret. Something had to be horribly wrong. I was determined to find all the pieces to the puzzle to find out why. The photos I saw clearly show what’s on the Moon. What purpose could these large alien structures serve? What did the aliens want with us? I had a very bad feeling about the whole thing. So much was being hidden from us.

 

But even an average guy like me was able to research the major points in question and reach a conclusion. The following narrative dramatizes my experiences in uncovering the plans of the aliens. It shows how I acquired the information, what the aliens have done to some local abductees, and how the aliens systematically test our defenses. It is based on true facts. Everybody talks about aliens and UFOs. I intend to do something about them. I will try to have this book made into a movie to warn as many people as possible about the problem we face.

 

We may have to defend ourselves. The aliens might not care to negotiate. The names of abductees have been changed to protect their privacy. All of my information sources are revealed in later chapters of this book or in the bibliography. You can look up all the data and see it for yourself. Well, enjoy the “movie” version of this story. Art imitates life. Life imitates art. And Art (me) will imitate this planned movie. Somebody’s got to do something. I may not be able to complete the plan I outline in the “movie” section due to government interference, but I am willing to try.

 

The overall idea is to make a movie about the alien problem and how to solve it. The money made from that movie will be used to purchase the electronic equipment required to disable and capture a UFO and it’s crew. Then I will attempt to organize an expedition that will actually capture a UFO, and shoot a second movie (a documentary) of the capture operation as it happens. The second movie could be used as a training film for anyone who wanted to copy the capture methods. This information must be brought out so everyone will see the aliens are real and pose a real threat. Then maybe world governments will take action, or work out a solution beneficial to the aliens and us.

 

We have unknowingly been the “property” of the Gray and Repilian aliens. Up till now they could kidnap us individually or harvest us en masse at will. That’s where I come in. I will tell you what we must do to get out of this situation. Together we can stop this.
 

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CHAPTER 2:


THE ABDUCTION EXPERIENCE


Preview The Semi-Fictional Movie Here That Will Warn The Public About The Nonfiction Alien Danger We Face. See Exciting Actual Events Recreated, Proposed UFO Capture Plan Carried Out, and Alien Plans Revealed.


Alien abduction, incursion, and other actual recent events are retold here in movie format, soon to be made into a spectacular movie, coming to a theater near you to spread the WARNING to humanity. Am I being presumptuous to expect my book to be made into a movie? Not hardly, I plan to pay a studio to make it. There’s not enough time left to do it any other way.


Amber Johnson is a perky, five foot four inch tall, 32 year old policewoman on the Cocoa Beach, Florida PD. She’s a dead ringer for Holly Hunter. Amber’s husband is an engineer at the Cape. They live in a modest condominium in Cocoa Beach. Amber has recurring nightmares that are all too real. She has experienced multiple alien abductions. Imagine, a police officer, helpless to stop herself from being a crime victim. But even a human kidnapper risks apprehension if they commit the exact same crime at the same location six times. However, abduction isn’t the crime she needs to fear. It is mass murder. That is where the alien program reaches its conclusion, with unwitting human assistance.


It started out as a typical abduction. An American deep space surveillance satellite detected a fast-moving incoming bogey at 3:15 AM EST on June 29,1996. At 3,550 miles out, it was identified as a 52-foot diameter alien saucer by NORAD computers. NORAD plotted the craft’s course, determined it was heading to a previous abduction site, and relayed an alert to the nearest Air Force radar station, Patrick Air Force Base, Florida. Two airmen on radar duty in the base control tower jumped when the alarm buzzer sounded. Their computer screens flashed a warning message from NORAD. It scrolled down the status monitor screens also.

 

The message read NORAD-ALERT — NORAD-ALERT, FASTWALKER STANDBY, FASTWALKER STANDBY in bright yellow letters. The monitors went to split screen, with print on the left and real time surveillance satellite video feed on the right. The satellite camera locked on and tracked the saucer. A computer generated yellow overlay on one screen projected its path. The airmen watched the monitor as the UFO came to a stop. The senior airman said, “Call the UFO officer!” The junior airman replied, “Can’t. He transferred out two weeks ago.” The status screen “target elevation” numbers dropped rapidly as the UFO’s flight path curved down. Instantly the UFO and “elevation” reading stopped.

 

The saucer’s position read 44 miles off the Florida coast at 66.5 miles altitude. Both airmen were now glued to the big monitor screen, a look of awe on their faces. The surveillance satellite’s video picture was in brilliant, sharp color. The silvery craft hovered for twenty seconds, the outline of Florida visible below. The Atlantic Ocean and Gulf of Mexico could be clearly seen shimmering in the moonlight.


Streetlights in the biggest cities twinkled like thousands of pale green diamonds. The craft accelerated rapidly toward Central Florida. As it entered the atmosphere, a bright electric orange glow played over its surface. In a few seconds it had descended to 200 feet over the Atlantic and came to a stop. It hovered briefly one mile off the coast. Proceeding westward, it took 4 seconds to cover the last mile to the shoreline. The craft slowed smartly as it crossed the beach. All indoor and outdoor lights for blocks in all directions quickly faded and went out.

 

The two airmen had been viewing all of this from the overhead viewpoint of the satellite. Bright yellow letters popped up on their big monitor as the picture faded out. The words read “FEED TERMINATED.” “Just another alien abduction,” the senior airman said, “you’ll get used to them.” The junior airman said sarcastically, “Yeah, right.” They both sighed in relief and settled back in their chairs.

 

Meanwhile, the saucer had come to a stop about 30 feet above the fifth floor balcony of a rear apartment at the Cocoa Beach Towers Condominium. A bright column of blue-white light snapped on at the bottom of the craft, shining down on the balcony below. Two “Grays” in standing position floated down the beam to the balcony. They walked right through the pane of the sliding glass door, as if it were a hologram, entered the bedroom, and approached the bed. Amber Johnson was sleeping soundly. The tall “Gray” pointed a silver pencil size device at Amber. It hummed faintly. The short “Gray” lifted Amber to a standing position, as if she were weightless.

 

The aliens held Amber up by her elbows and departed back through the pane of the sliding glass door. As they passed through the glass, it made the sound of crackling static electricity. On the balcony, a mild sea breeze blew Amber’s sheer pale blue nightgown gently against her body. The aliens floated her straight ahead, into the beam of light. Then they were all lifted up by this invisible elevator, into an off center portal on the bottom side of the craft. The light beam shut off, and a hatch dropped down silently, sealing the opening. The ship started to glow a dull red color and silently lifted up 100 feet into the air. It moved slowly toward the east, cleared the shoreline, and accelerated rapidly over the horizon. Lights in the area then came back on.


On board the alien craft, the two aliens floated along about a foot off the deck, carrying Amber by her arms into the circular center room of the craft. They sat her on a gray metal bench in an alcove set into the wall. Every interior surface of the craft was a pewter silver color. Only the buttons, knobs and gauges pulsed in different colors, atop three center control consoles. Amber felt really out of it. She had a little muscle control.

 

She thought to herself, “This is different. Usually I’m paralyzed.” She flopped back against the wall and was able to get a good look at two other women next to her on the bench. Amber noticed that they were both about 25 years old and nude. Clothing was piled on the floor at their feet. While looking down, Amber saw two pairs of human feet protruding out onto the floor from the alcove next to hers. She could not see the people as a support beam blocked the view. Amber thought, “Looks like they got five of us.” Amber directed her next thought at the aliens and said, “if we weren’t in a stupor, we could kick your ass.” She took a good look at them and noticed the “Grays” didn’t seem to have an ass. Amber suddenly realized that she had much better mental control than on previous abductions. She tried to stand up but felt a little woozy.


She thought, “If I fall down it would attract too much attention.” She was quite determined to look around and try to remember all the details the “Grays” had routinely suppressed after her 6 previous abductions. Amber saw that the women next to her were both wearing wedding rings. She looked at them and said, “Do your husbands know you’re running around naked with a bunch of aliens?” They gave no response. Amber thought, “Wow, am I in a good mood or what? The aliens must have zapped me with laughing gas.” Two aliens came over and helped Amber to her feet.


They lifted her nightgown off and dropped it to the deck. Her white nylon panties quickly followed. The aliens helped the other four people to their feet and had them stand in a line. Amber saw there were three women and one man. The aliens walked each person to a separate examination table and laid them all out, face up. Four “Grays” performed a complete physical on each in turn. Amber was the last. They probed or took samples from every bodily orifice. They scanned her body from head to toe with a beam of light from an overhead machine. After her exam, a “Gray” jabbed a metal probe into her leg. Amber flinched in pain. A tall “Gray” told Amber telepathically it wouldn’t hurt. It kept hurting. She tried to squirm from the pain but couldn’t control her muscles now.

 

Next they performed a fateful gynecological procedure on her. The tall alien poked a thin metal tube into her. Amber said, “I thought so. You’re just interested in me for my body.” The pressure became almost unbearable. Amber said, “Please stop.” The tall alien moved to her side, gently touched her arm, and said telepathically, “We are almost done.” When it was over, a short alien helped Amber sit up on the table. He told her telepathically, “Now we are pregnant.” He asked Amber, “Would you like to see the Earth?” She said, “Yes.” The alien walked over and sat at one of three consoles in the center of the circular room. He touched a small panel on the console.

 

The wall in the eight-foot wide alcove Amber had sat in became transparent, revealing a truly magnificent panoramic view of Earth. The “Gray” touched a button, causing a five-foot by one-foot vertical holographic panel to appear floating projected just to the right of the viewing arch. Strange black symbols scrolled down its pale blue length. Amber noticed a device resembling a small portable radio on a side table next to her. She picked it up. It had been held on the table magnetically. Amber touched a control square with an alien symbol on it.

 

The square started to glow a pale blue, and she felt a tingling spread over her body. The tall alien suddenly appeared at her side. He gently removed the apparatus from her hand and turned it off. Amber asked, “What was that?” The alien told her telepathically, that it controlled time by doing certain things. She couldn’t grasp the concepts. She got the impression he was trying to make her feel stupid so she wouldn’t bother him. The small aliens helped each person get dressed and sat them back in two different alcoves.

 

Amber told the lady next to her, “My hubby will be happy to know I’m pregnant. Alien technology found out before I even knew it. You can call it ET-EPT.” All Amber got from her neighbor was a blank stare. Amber said, “Hello.” No response. “The light’s on, but no one’s home,” Amber said jokingly. The aliens returned Amber to her home and departed. Amber tried to wake her husband to tell him the good news. He was out. She realized the aliens had zonked him good. She cuddled up next to him in bed, put her arm around him, and fell asleep. Amber didn’t realize the aliens had made her pregnant. She thought they were telling her she was already pregnant.

 

Her ignorance of their two-part program would eventually lead to the capture of the aliens when they would routinely return before three months passed to remove the fetus. Their imminent return would become known to Art Greenfield, a man interested in stopping them. He’d arrange things so they’d walk into a trap. The aliens and their ship would be captured and revealed to the entire world.


Commentary: When this is made into a movie, I know Hollywood will make it more “commercially viable” by adding things that may be a distraction from the main point of the story. I am referring to typical formulaic Hollywood techniques like adding graphic elements to the story. The “typical” working script would describe Amber during the abduction, being floated up to the alien craft with a phrase like, “the breeze blew Amber’s sheer nightgown against her, uh,....womanly features.” The studios want to make the film more memorable by making it, shall we say, titillating.

 

I don’t want to distract from the message here, but that’s Hollywood. They want to sell the product, and sex sells. Humor sells too. Madison Avenue ads have used sex and humor for years. It should have the same effect here by grabbing people’s attention so they will remember the message.
 

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CHAPTER 3:


THE MUFON MEETING ENCOUNTERS


Close encounters with alien ideas and human abductees.


Amber Johnson
spoke at a MUFON (Mutual UFO Network) meeting on the July Fourth weekend in 1996. The MUFON meetings were routinely held at the Cocoa, Florida public library. This was no routine meeting though. A news crew from WFTV Channel 9 Eyewitness News had come to videotape her as she related her abduction experiences. The small library conference room was crowded with about 150 people. Joe Jordan, the local MUFON president introduced Amber. The news crew turned on their camera and lights and started taping.

 

Amber said,

“I have been abducted six times in the last four years. The last time I was abducted was one week ago. I don’t know why they chose me. After my fourth abduction, I started remembering nearly everything that happened during the abductions. Under “normal” circumstances (she chuckled), you remember very little of the experience because the aliens always do something electronically to your brain to wipe out the abduction memories. Two years ago I started taking allergy medicine for my hay fever, and from that time on, the memories were not erased. I know the box the medicine comes in says not to drive, or operate heavy machinery.


It makes you dopey. I guess it slowed down my nerve function enough that my nerves did not react normally to the alien’s memory erasing techniques. I can remember about 95 per cent of what happened very clearly. During my abduction last week, the “Grays” took muscle tissue samples from my legs.”

She showed two deep depressions on the front of her legs where the tissue samples had been taken. The TV cameraman moved in for a close-up of the hemispherical shaped scoop marks in each leg. Each hole was big enough to stick your little finger in up to the first joint. Amber said,

“There are no scars left after the procedure, even though deep holes were made. A highly skilled surgeon can’t even do this. They did an extensive gynecological exam on me next.”

The cameraman started to pan the camera back up to Amber’s face. As the camera and spotlight were panning up and passing over her midsection, she quickly put her hand over her private area and with a wink said, “Sorry guys, I can’t let you take any pictures of that.” Everyone at the meeting broke up laughing. For some reason they cut that part out of the tape on the Eleven O’clock news. Amber said,

“When they did the gynecological exam, they said, ‘Now we’re pregnant.’ I said, What do you mean we, paleface? ... I was the one who was pregnant.”

 

In the audience was Art Greenfield, a local business owner. Art turned to a man sitting next to him who was wearing a MUFON nametag and said, “That was real cute.”

 

The MUFON member said to Art, “That means they impregnated her during the abduction. They do this as part of their hybrid-breeding program. In three months they’ll re-abduct her, take the fetus, and raise it themselves.” Art said, “How do you know this?”

He handed Art a list of recommended reading and a MUFON membership form. “Read the books on this list,” he said. “You’ll find out the aliens are conducting a massive breeding program. As I said, they abduct, impregnate, return in 3 months, take the fetus. They repeat this over and over. Some women have been through this cycle six times.” Art asked, “How long has this been going on?” The man said,

“it started about 50 years ago on a small scale but it’s expanded into a huge operation. They’ve bred millions of hybrids so far.” Art asked, “So they’ll pick Amber up in 3 months and take the hybrid she’s carrying?” The MUFON man said, “Yeah,” with a look of resignation on his face. Art said, “That gives me an idea.” The MUFON man said, “What?” Art said, “I’ll get back to you when I put it together.”

Amber answered a lot of questions from the audience. She concluded by saying her husband was an engineer at Rocketdyne at the Cape. She said,

“He told me he had attended a briefing, given by three engineers at his company. Rocketdyne had loaned the engineers to the government.

 

They had secretly assisted the US Air Force, at Wright-Patterson AFB, in reverse engineering the very latest model alien flying saucer that had been captured intact. They were able to take it apart, copy it, and make 3 perfectly functioning craft themselves. They said the technology found on the craft was so very far advanced it was frightening. The engineers said the government intended to reveal this technology to the public over the next thirty years. By so doing, its true source would not have to be revealed.”

The next speaker at the seminar was Art Greenfield himself. Art had brought a videotape he had made of a “Larry King Live” show. Art had called in a question for the guest on the show, and had gotten a stunning answer. Art had come to the meeting to share the information with the MUFON people. Art introduced himself. He put the tape in the VCR and said, “This will be self-explanatory.” The guest on Larry King was Shirley MacLaine. On the videotape, Mr. Greenfield was heard calling in to the show. He asked Shirley,

“Exactly what did former President Jimmy Carter tell you about what the US government knew about crashed alien spacecraft and recovered alien bodies?” (Art had learned three weeks earlier that President Carter had told Shirley about it in confidence).

After a few seconds of stunned silence, Shirley answered,

“It is true, Jimmy Carter had told me the US government was in possession of crashed alien spacecraft and alien bodies, and that he had tried to use the US “sunshine” laws to bring the information out to the public, but the intelligence community would not let him talk about it, and so as a result, he could not.”

 

Art stopped the tape and said to the MUFON audience, "This is the first time any president has confirmed the government has actual knowledge of the existence of alien life and spacecraft and that they have hard evidence.”

Several people came up to Art at the end of the meeting. A man asked Art if he worked at NASA. Art said, “No, I own the Mr. Arcade store at Clearlake and Dixon in Cocoa.” The conversation turned into a discussion about the US government having something to hide that was so bad, a former president was not allowed to talk about it. Art told this small group,

“Keep your eyes and ears open for any information on anyone else locally being abducted. I have an idea how we can capture a UFO and it’s crew. I need to know where they’re going for repeat abductions.”

Commentary: OK, so I used a little humor to get the point across. Maybe I’m “going Hollywood” myself. At least these events really happened, news coverage and all. Most of the dialogue is paraphrased. It is pretty close though. I didn’t start taping conversations until I started interviewing astronauts and abductees. The Larry King Live segment you just read was repeated verbatim. That I had videotaped. The exact wording of the statement President Carter had made, that the government had recovered aliens and their spacecraft, was too important to leave to memory.

 

Besides, I needed that original videotape to use in the movie. Hiring the participants to recreate their roles in the movie would have been expensive. The original tape is dramatic enough. These commentary sections are also here to steer any movie companies into staying on track and making sure the right things are filmed to get the message across.
 

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CHAPTER 4:


A UFO BUZZES THE KSC LAUNCH COMPLEX

True eyewitness account of low altitude incursion into KSC’s restricted air space. Soon to be an exciting movie scene.

One month later, a 52-foot diameter alien saucer paid a surprise visit to Kennedy Space Center. The craft cruised slowly into the shuttle launch complex in broad daylight. It skimmed in from the Atlantic Ocean, under the Cape’s radar, at 100-foot altitude. It circled slowly around the launch pad area, following the pad perimeter fence all the way around, and glided back out over the Atlantic. The shuttle stood on the launch pad that beautiful Florida morning.

 

The dull silver colored saucer moved at a slow speed to a position two miles off shore at 7000-foot elevation. It hovered there, motionless. It shimmered brightly in the sunlight. The shimmering had a pulsing effect to it. It was like a strobe light flashing continuously at one-second intervals. Twenty minutes later, a pair of Air Force F-16 fighters, bristling with missiles, came burning in from the south at 900 knots.

 

They were at 600-foot altitude, flying just off the shoreline. Banking inland south of the Space Center, they flew around its western boundary and banked to the east, heading out to sea. Slowing to 200 knots, they circled the still hovering alien craft at a distance of about two miles. Five minute later, two Navy FA-18 fighters arrived from the north and joined the Air Force planes in circling. The four planes flew in a “defensive wheel” pattern, keeping the UFO pinned in the middle. The standoff continued for 15 minutes.

 

One Navy FA-18 began flying an oval course that took it steadily closer to the alien intruder. On the third pass, the FA-18 pilot flew directly at the alien craft, veered off at the last second, and just missed it by 100 feet. The alien craft accelerated 13 miles out to sea in an instant. It came to a sudden stop. As the craft hovered there, the fighters all turned and went to full afterburners in pursuit. The saucer accelerated straight up, out of the atmosphere, it’s reconnaissance mission completed.


Commentary: This really happened. I have included all of the details from two eyewitnesses I interviewed who saw the entire event from two different locations. It was also witnessed by 50 NASA employees at Kennedy Space Center, all of whom were interviewed by Joe Jordan, the president of the local MUFON chapter.

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CHAPTER 5:


HOW TO CAPTURE A UFO MILITARY STYLE DON’T TRY THIS AT HOME. YET.


Art Greenfield phoned Joe Jordan, the local MUFON chapter president. Art said,

“I’ve figured out how the government is able to capture intact saucers. It is so simple even we could do it. First, they use plain old Radar to fry the avionics on the saucer. When it is brought down, the soldiers sent in to capture it are wearing a piece of equipment that shields them from the electronic device the aliens use to knock us out. I have been searching diligently for a class of people who don’t get abducted. In all of the recorded abduction cases I’ve researched, there has never been a single report of a motorcyclist wearing a fiberglass crash helmet having been abducted.

 

All other types of drivers, boaters, campers, etc., have been abducted. Most states enacted mandatory motorcycle helmet laws over twenty years ago. During this time period motorcyclists have been abduction free. It seems the helmets protect against more than crashes. The helmets must shield the brain from whatever type of electromagnetic field that aliens use to render people unconscious. The US military switched to Kevlar helmets over ten years ago. The aliens have always snooped at US military bases to test our defenses. A military police unit probably overpowered some aliens, on one of those ground incursions because the MPs wore Kevlar helmets. I bet the MPs were then able to capture the saucer.”

Mr. Jordan told Art he was not personally interested in being involved in a capture attempt. Art then called his ex-wife to tell her of his helmet theory and proposed capture plans. He was treated to much laughter and ridicule for his efforts. His ex-wife said,

“Now let me get this straight. If you wear a motorcycle helmet and sneak up on these aliens, you can overpower them and take over their saucer?”

She laughed hysterically and dropped the phone. She picked up the phone and said, “Here, tell Nate about it.” She handed the phone to their son.


Art said, “Nate, tell her I’m also working on a way to neutralize their ships. I’m not going to jump a bunch of aliens cause I think I will be magically protected by a motorcycle helmet.” There was more laughter. Art then called his daughter Jenny in Ohio. She was a psychology major in college. Art told her about the entire UFO problem and what he planned to do about it. Jenny said,

“You know, it’s really funny you’re getting involved with that. I’ve been studying about PAS, that’s Post Abduction Syndrome, in my psych class. I was starting to get worried because of two pock marks on my legs that I hadn’t noticed before.”

Art was horrified. He said,

“Jenny, I will do whatever I can to make sure they don’t abduct you again. I’m going to try to get some people to help me capture a UFO and the aliens in the act of trying to abduct someone. When the media exposes them to the world, we can get the government to do something to stop them everywhere.”

Art found out months later, that Jenny had only been kidding. She had inadvertently lit a fire under Art getting him to take action to solve the abduction problem. Art began to gather information with a vengeance. He wasn’t obsessed, just very determined to protect his kids. This is all true.

Back to Table of Contents

 


CHAPTER 6:


RICHARD HOAGLAND SEMINAR AT BREVARD COMMUNITY COLLEGE
CAN YOU HANDLE THE TRUTH? THE TRUTH MOTIVATED ME TO WRITE THIS BOOK TO WARN EVERYONE

Art read an advertisement in Florida Today newspaper for a seminar to be held at Brevard Community College. The seminar was about the “Face on Mars.” The day of the meeting Art closed his store two hours early to attend the seminar. When he arrived on the college campus, he saw a crowd of about 250 people standing in front of the school auditorium. Banners hung from every lamppost on campus announcing the seminar, which was called “About Face.” Amber Johnson stood at the top of the auditorium front steps, encircled by a group of about 12 MUFON members. Art Greenfield walked up the steps to where Amber was talking to the very attentive group.

 

She said to the group,

“I wish I could remember what the “Gray” told me about that time control device that I looked at during my last abduction. I plan to undergo hypnotic regression to bring out all the details. It was the only time I’d ever seen any equipment on their craft that wasn’t hooked permanently to a wall or ceiling. I think I vaguely remember it’s a gyroscope based device that slows time.”

Art told her,

“I may be able to help. I’ve figured out a way to capture your “little friends” and you can ask them personally.”

Amber said,

“If you do, we could polygraph them at my PD station to see if we get a reaction. There are a lot of questions I want answered too, like what they want with us. Since they only communicate telepathically, the right to remain silent won’t mean shit to them.” Art said, “They will know what we’re thinking and that could cause physiological reactions at the wrong time. I guess it’s still worth a try.”

The start of the seminar was announced, and the crowd filed into the auditorium. On the auditorium stage were two large 20-foot high rear projection screens with a podium located between them. Two men walked out on the stage, welcomed everybody, and introduced themselves as Richard Hoagland and Ken Johnston. Ken stated that he had worked for NASA as an engineer, and he had been a test pilot on the Space Shuttle.

 

He said prior to that he had been a test pilot for a large aircraft company and had served as a fighter pilot in the Marine Corps. Next Mr. Hoagland summarized his background as an author, science writer, and former scientific advisor to NASA and newsman Walter Chronkite. Both men proceeded to show on the big screens, copies of their service records, NASA employment documentation, etc. Their professional credentials and awards were most impressive. Richard stepped up to the podium at center stage and said, “NASA is covering up what they’ve found on the Moon and Mars.”

 

On the big screens Richard showed official NASA photographs taken on the Moon during the first Apollo landing. “All of these photos have been recently enhanced by a computer enhancement system at NASA,” he said. He clicked up a picture of Buzz Aldrin on the Moon. “Neil Armstrong took this picture.” It showed Buzz Aldrin standing with the American flag and Lunar Excursion Module visible in the background.

 

Richard said,

“Older engineers at the Cape have been saying for years, ‘if you want to see what’s really on the Moon, look in the reflection of the astronaut’s helmet visor.’”

Richard clicked up a close-up shot of Aldrin’s helmet, showing the highly reflective gold tinted visor. Richard pointed out that the reflection in the visor showed Neil Armstrong holding the camera as he shot the picture. There is also a “structure” visible behind Armstrong to the right.

Then he clicked up a photo of Alan Bean on the Moon.

“Everything we brought to the Moon is visible half a mile behind Alan Bean, so nothing artificial should be behind Pete Conrad, whose reflection you can see in Bean’s visor. We see reflected in the visor a structure of some sort that can be seen over the top of a 15 foot high glass wall.”

Richard then clicked up an enhanced blowup shot of another much larger image of a structure taken from the Apollo 11 Command Module as it was orbiting 15 miles above the Moon. “We call it ‘The Castle.’” It looked like three large glass cylindrical towers side by side, with a tall spire extending up from the center tower. The next two photos of “The Castle” were taken by a forward looking 16 MM movie camera mounted on the Command Module as it was flying over the Moon at 15 miles altitude.

 

Richard said he recently used NASA computers and determined that from the change in position of the structure in the time between two movie frames, it’s size was 1 mile high, 1 mile wide and it was on top of a black cone shaped base that was nine miles high itself. “When we ran the helmet visor reflection data through the computer, it gave us the same size and location.” Richard stepped through a series of 16 MM movie frames, backward and forward on the big screen, taken from the Command Module, showing the Earth rising over the Lunar horizon. The Earth’s image was shining through and backlighting a long horizontal glass structure that stood above the edge of the horizon.

“Computer enhancement shows it to be made up of many glass tubes laying sideways, stacked one atop the other. Each glass tube is several miles in diameter. It measures 20 miles high and 60 miles long. The remnants of a glass dome are visible. The dome once covered the entire structure. This last Apollo photo shows a white triangle positioned inside of a gray crater. It’s exactly 16 miles on each side of the triangle. It’s located dead center on the Moon as it faces the Earth, positioned so it can’t be missed.”

Richard clicked up another Moon picture taken in the near infrared by the “Clementine” satellite. Richard said,

“This shows the heat signature of a large underground complex. It is made up of long tubelike structures that are parallel to each other, and cross other parallel tubes going in different directions on three different levels.

 

They run between 40 and 60 miles in length. This picture came from the NASA Select Channel in a live feed as the satellite took them. When we first saw it, we called NASA to get some follow-up shots. NASA pulled the plug on the live feed and reported they had lost control of the satellite and lost all pictures due to a computer glitch. There were other Clementine photos supplied to us by an aerospace engineer involved with the project. When we asked him to get more photos of certain areas, he was told by the project system operator that all the online photo files had been erased and permanently lost due to an error of some kind, and even the server was gone. Of the two million photos taken by Clementine, only a handful have been released to the public.”

Richard said, “Isn’t it strange they named the satellite Clementine, after a song about a person who is permanently lost?” Richard sang the entire “Clementine” song for effect. He put special emphasis on the fateful line, “You are lost and gone forever, oh my darling Clementine.” Richard next ran a videotape from CSPAN, made on July 20, 1994. It showed Neil Armstrong making a short speech at the twenty-fifth anniversary celebration for the Apollo 11 Moon landing, held at the White House by Pres. Clinton.

 

When it was Neil’s turn to speak, he said,

Wilbur Wright once noted that the only bird that could talk was the parrot, and he didn’t fly very well. This week, America has been recalling the Apollo program and reliving the memories of those friends in which so many of us here, colleagues here in the first rows, were immersed. Our old astrogeology mentor, Gene Shoemaker, even called in one of his comets to mark the occasion with spectacular Jovian fireworks and reminding us once again of the power and consequences of celestial extracurricular activities.

 

Many Americans were part of Apollo, about one or two in each thousand citizens all across the country, they were asked by their county to do the impossible, to envisage, to design, and to build a method of breaking the bonds of Earth’s gravity and then sally forth and visit another heavenly body. The principal elements being direct navigation in space and sending men to a planet not encumbered with runways and traffic controls which includes the major requirements necessary for a spacefaring people. Today, the Space Shuttle flies overhead with an international crew and a number of country’s international space programs.

 

During the space age we have increased the knowledge of our universe a thousand fold. Today we have with us a group of students who are among America’s best. To you we say, we have only completed a beginning. We leave you much that is undone. There are great ideas undiscovered, breakthroughs available to those who can remove one of truth’s protective layers. There are places to go beyond belief. These challenges are yours, In many fields, not the least of which is space, because there lies human destiny.”

Richard Hoagland said,

“Very interesting, because if you will notice Neil began his speech by comparing himself and the other astronauts to parrots. What do parrots do? Parrots mimic. They repeat precisely what they are told. And then what did he tell the students at the end of the speech? He told them that this was merely a beginning. That there are truths there for those who can remove one of truth’s protective layers. Now what in the world’s protective layers have been assembled around truths? In other words, what our suspicions are, and this is obviously not confirming compelling evidence, but what our suspicions are is that Neil Armstrong and a number of the crews have now begun a process where they are trying to communicate between the lines; that there are things that we need to pay attention to. And what we are gonna try to do tonight is to show you some of those things that we have paid attention to and to see if in fact that our suspicions are correct.”

Richard did not take note of something that was very obvious to those of us watching the videotape. Neil Armstrong must have been under a lot of pressure when he delivered his speech. His body language and voice gave it away. He was shaking when he started to give the speech, and he gave it in a quavering voice. Richard Hoagland continued,

“Recently astronomers, who book time on the Hubble Space Telescope to study the Moon, have been stopped from using it. They aren’t told in advance that they can’t look at the Moon. When their scheduled time arrives, they get a computer message stating the Hubble can not be pointed at the Moon as it is too bright and will cause damage. That is false. When the Hubble was first put in orbit, it’s systems had to be color aligned. It was pointed at a cloud-covered area of Earth for 3 days for white color alignment. The glare given off by the white fluffy clouds was 50 times brighter than the Moon at it’s brightest.”

Richard next ran another videotape taken from the NASA Select Channel. It came from a 1991 shuffle mission, STS-48.


It showed a saucer shaped UFO rising at a 45 degree angle from the Earth. In a fraction of a second it changed direction 145 degrees and literally streaked away. It jumped from about 17,000 M.P.H. to 80,000 M.P.H. About a second after it had changed course, a concentrated energy burst came up from the Earth and passed right through the exact position the saucer had just occupied before it’s course change. It was spectacular on the big screen. Richard next talked about the “face” on Mars. Richard clicked up a picture of the face taken by the Viking probe. Richard said,

“We recently computer enhanced the picture of the face and compared it to the face of the Sphinx in Giza, Egypt and got an exact match. The Martian face is located in an immense pyramid complex that is laid out in the shape of a tetrahedron.

The most startling thing about this, is that the face on Mars with its pyramid complex, the three structure sites on the Moon, and the Sphinx-pyramid complex on Earth, are all located at 19.47 degrees latitude on their respective worlds.”

Richard continued,

“Around the time the pyramids were completed, half of the world’s population died off or vanished. The last satellite sent to photograph Mars, disappeared when it was three days away from it’s destination. I have been informed by two people from JPL and two people from NASA, none of whom know each other, that the Mars Observer satellite was taken into the black.”

Richard said that he had no answer to what all this meant, but he thought the top people at NASA are covering up the truth in a conspiracy directed by the Masons. He said,

All the top NASA people are Masons. It was these Masons that originated the Orion mission patch for the first Apollo missions.”

He clicked up a picture of the original Apollo mission shoulder patch on one big screen, and a picture of some Masonic logos on the other big screen. Richard pointed out they both had the Orion star constellation on them. Next Richard displayed another picture on one big screen showing that the pyramids in the Giza complex were laid out in the shape of the belt in the Orion constellation.

Richard said he was a Mason himself, and knew that the Masonic organization was more than 5,000 years old. This was the ultimate conspiracy theory, with Richard presenting hard evidence that there was at least a chance that some “group” was calling the shots.

 

Richard said most NASA launches and landings coincided with the times of the rising and setting of the Orion constellation, with no need for launch windows at those particular times. Was someone exercising their power of scheduling for ritual reasons? After the seminar ended, Art Greenfield went down to the stage area of the auditorium. He asked Ken Johnston if anyone had analyzed the heat signature of the complex in the Clementine photo to determine if it was hot enough to show it was an active alien base. Ken said, “That’s a very good idea.”

 

An older man came down the aisle to where Art and Ken were talking. He introduced himself as a doctor (Ph.D.) from NASA. He asked Ken, “Would you like to know what really happened to the missing Mars probe?”

 

Ken said, “Sure.” The doctor said,

“The probe was controlled by JPL in Pasadena, Cal. They thought they had sole control of the mission. The Cape had a second set of controls, but kept hands off.


When the probe was three days out from Mars, a distressing event occurred. Telemetry showed magnetic anomalies on the probe’s blind side. JPL sent a command to the probe to swing around and point the TV camera at the cause of the disturbance. The controllers at the Cape quickly sent a command to the probe to change its command and telemetry frequencies.

 

At that point JPL “lost” all control and contact. The Cape controllers then turned the probe around. They saw a cylindrical spacecraft that was at least two miles long. They taped it for a few minutes before sending a command to shut down. The Cape tried to reacquire contact the next day after JPL had packed it in. Nothing. It was really lost. They tried for five days. No luck. Do you know how we found it?”

Ken said, “No. How?” The doctor said,

“We have a string of distant early warning satellites out between the orbit of Mars and the asteroid belt. We turned one of them around, pointed it toward Mars and reacquired the probe. Then it was taken into the black.”

The doctor made several more statements that can’t be repeated here, regarding how he knew what he knew.

Ken asked, “What are the early warning satellites for?” The doctor said, “They’re used to watch for incoming mother ships.” Ken asked, “Why?” The doctor said, “Because of what the aliens have planned for us.” With dread in his voice, Ken asked, “What do they have planned for us?” The doctor said, “I’m not allowed to tell you.” “Does NASA know what the aliens have planned?”- Ken asked.

The doctor said, “Yes,” adding quickly,

“Let me tell you something. When I was in the military in combat, I came close to death and I was scared. A few years ago, I was in a hospital very close to death and I was even more scared. But what the aliens have planned for us, literally scares the shit out of me.” Ken asked, “Can I have your phone number?” The doctor said, “Just give me your card.”

All three men left the auditorium. As they were about to go out the front door, Art asked the doctor if he’d give even a hint about the alien plans. The doctor said,

“No, sorry I can’t. I will tell you one thing, (he said rather emotionally), it is so scary, I can’t even tell my wife.”

Now this meant something to us local people. It is a known fact around here that engineers at the Cape tell their wives everything! That’s how sensitive information about the Challenger accident got out. The same for Amber’s husband telling her about the three engineers back-engineering the saucer, and that getting out to the media, etc. This has been a common occurrence, with quite a bit of secret NASA information becoming local gossip. This means what’s coming is BAD. You can be sure that if the few NASA people who know the alien plans talked, it could result in their death. Specific details would hang them. They are the only ones who know the exact details. Fear of punishment keeps those that know the truth silent and desperate.


That is a minor problem compared to the disaster we face. WE, as in ALL of us. YOU are in grave danger. I’m writing this book because from all indications, I believe we are about 1 to 3 years away from the arrival of the aliens. We know too much about them and what they have been doing to mankind since man began, and they know we now pose a military threat to them. When the energy weapon seen being used in the STS-48 video missed, that gave the aliens on that craft the information on what we had. They most surely would have reported it to their military. This could very well be the last roundup. In the last 50 years we have advanced our level of other military technology too, posing a big threat to the alien agenda of recurring mass harvesting and processing. Some of the sheep are armed and aware! The aliens can’t allow their cattle to revolt.


Commentary: When the movie is made, I would like to hire the original participants to recreate their part in history. Trust me, Richard Hoagland and Ken Johnston can do a credible job of presenting the information from their seminars in the movie. They are good.

Back to Table of Contents

 


CHAPTER 7:


HOW TO DISABLE A UFO WITH RADAR


Our military really did this. That is why it will be in the movie.

Art called his cousin Bob Hardy, a retired engineer, to discuss the best method of crippling the electronic controls of a UFO so that it could be captured. They concluded the best way was to use surplus aircraft radar transmitter units at close range to overload the saucer’s electronics. Art said,

“How much money are we talking about here, a mil? I don’t have that much ready cash and no banker in their right mind would give me a loan for a flying saucer capturing expedition. Any ideas? Know anybody with a lot of money to back this?”

Bob said,

“Why don’t you write a book and a movie script about all of this. A book could make a decent amount of money. And you could sell the script to Hollywood. They’re always looking for exciting blockbuster science fiction stories. This is kind of like ‘Indiana Jones and the Alien Saucer.’ You should contact some movie studios and see if any of them are interested. Just the money advanced from the sale of the script should be more than enough to buy the equipment. We need twelve surplus radar transmitters, two generators, and two used motor homes to mount them in. You could buy all that for about 350K A good movie script might sell for close to that.”

Art said,

“That’s a good idea. When I write the book, first I’ll write in all of the facts I’ve uncovered. Then I’ll add in the plans for the saucer capturing expedition, as if it were a done deal. This would show the producer to whom we submit the script, the exciting things that will result from a completed expedition. In the book I’ll call our hypothetical movie producer, “Steven Spielwood.”

Also I’ll be sure to tell the people reading the book that where the “Steven Spielwood” section starts, from there on anything having to do with the “capture expedition” is just a blueprint for how we are trying to get this problem to play out.”

 

(NOTE TO READERS: from this point on the proposed movie version of our plans is written into this book).

 

Bob asked Art, “What makes you think “Spielwood” will go for the idea that radar can disable a UFO? He will probably want proof it would work. He wouldn’t want to make a movie based on a flimsy premise.” Art cited 3 examples showing radar’s potential.

“In the book ‘Close Encounter of The Fourth Kind,’ by C.D.B. Bryan, several experts stated the saucer that crashed in Roswell, New Mexico in 1947, had an encounter with radar. The craft had flown right in front of the radar tower at a nearby Army Air Force base and the radar pulses had fried the saucer’s navigational system. It coasted on for several more miles before impacting into the ground.

 

Example two is when a nuclear explosion occurs, the electromagnetic pulse will fry aircraft avionics at a great distance,” Art said, “and I intend to use EM pulses from the radar at a short distance. I also recently heard the military wanted to test some of their electronic components and had a contractor build them a device that put out strong EMP signals to use in the testing. It worked so well they decided to develop the device as an EMP weapon to be used against the avionics of enemy aircraft.”

Art told Bob when he was a young boy living in Miami, he’d gone to an air show at Homestead Air Force Base. Art said,

“A Miami Herald news photographer stepped in front of a jet fighter that had started to taxi out to the runway. The jet was a good hundred yards away. As the photographer started to take a picture, the pilot switched on his radar. Every flash bulb the photographer was carrying exploded, setting his camera bag on fire and causing him to jump and yelp, since a bulb went off in his back pants pocket. Radar works!”

Art said,

“Remember, we’re working under a deadline. The window of opportunity closes in three months when the aliens return to abduct Amber again and snatch the hybrid kid.”

Bob said,

“Write up a good movie script and if you can’t find a studio that’s interested, let me know. I may be able to take out a loan against my rental property. We could hire actors and a film crew and shoot the movie ourselves. People make independent films all the time. I’ll try to get the money for you within a few weeks after you finish the script. If you made a professional movie that showed a real abduction, it would make a fortune in the theaters! Plus you wouldn’t have to pay for special effects because you would be filming the real thing. The money you make from the movie would be more than enough to buy the equipment, and hire all the helpers you needed to do a real capture.”

Art said,

“You’re right. I’ll write! Is this what they mean about the pen being mightier than the sword? I’m going to bring down a UFO with a word processor!”

The plan was set. Everything was coming together. Then Art had an opportunity to interview Buzz Aldrin, the Apollo 11 astronaut who had set foot on the Moon with Neil Armstrong. Art intended to ask Buzz about what Neil had said regarding what they really found on the Moon.

 

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